PARK BENCH: El Mirage

IN September, a team of 4 simpletons (Monique, Bob, Andrew and I) went to El Mirage, Arizona to create a PARK BENCH event, asking questions of the community about growth, local history ~ recent and past, wish lists for their community for the future, and ways to arrive at those desired destinations. An interesting part of all of our interviews was the idea of community - what makes work, or fall apart... what are the common threads that tie a neighborhood or a group together, and how can that be used for the betterment of the city... One common thread that now exists: If a simpleton interviewed you about El Mirage, you got a rubby ducky. So there are a whole new flock of rubber ducks 'floating' about in Arizona.

We spoke to folks at the Bulk Trash Clean Up event, At Pueblo El Mirage Resort, At the new Walmart on Thunderbird, and at Dysart High School. We came away with over 100 interviews with more than 140 people, encompassing countless opinions, suggestions, kudos and criticisms.
There are FOUR PODCASTS - we really had to let the people of the city speak for themselves...
(they're pretty great - Andrew did a great job of editing them together! Whew!)

The podcasts create an interesting sketch of El Mirage - incomplete, of course, but still a complex interweaving of people old and new, established and fresh, young, old, thoughtful and thoughtless. Kind of like what you might expect of a diverse, rapidly growing community. We can't say we 'know' the community, but we at least now know them a little better than before, and harbor great hopes for their future.

And let us know YOUR thoughts and opinions - the good, the bad, the _____(enter adjective here) ~
Here's a good start -
How does one (or many) translate the ideas of 'what makes a good community' into something tangible that actually creates that? What might be successes, lessons, and 'what if's?? How does the public/private enterprise and responsibility come into play? What do YOU think?

Thanks again to The City of El Mirage (cityofelmirage.org), Maria and Raquel and the Planning Center (azplanningcenter.com) for letting us come in and speak with folks. We can't thank you enough for bringing this city into our lives.

A SOLO antipodean adventurer

Hey gang -

Greetings to many of you from the Other Side of the World. To the rest of you, G'day.
Llysa here with a long-overdue update from my time here (two weeks already!! How the %$(@@#! did that happen!?)

I am on-site in Adelaide with a few targets in my sights: doing a bit of producer-ship for The Snow Queen in either of its incarnations; attend the Australian Arts Market and get a bead on what artists in other places are thinking; see lots of stuff at the fringe, and SEE what artists have been thinking - both kinetically and ephemerally (trying to see more visual arts, particularly) AND do a little teaching at Urban Myth, seeing where and when Re[ACT]ion might happen. THEN, I will be going to New Zealand, teaching at the Fortune theatre in Dunedin("the Riviera of the Antarctic!") and meeting with folks I met at APAM. whoooo!

Much is percolating in my head - my mental velcro is VERY full already, and I still have 10 more days to go. I've seen two arts exhibits only, (one is a VERY large scale digital piece on historic buildings called Northern Lights - fabulous re-framing of familar places) but have managed to see 25 shows, and teach several classes.
The few things that are striking me: how grimly some folks are seeing the future or the past, yet in other places I've experienced incredible moments of grace, vulnerability and compassion.

Very interesting.

Music has had a personally powerful effect on me. I keep finding myself weeping at the sounds of voices raised together in song. (Not all songs. I didn't cry at the cricket anthem, or the drinking song.) But still - this is a path that we have been talking about re-incorporating, and obviously, we are in synchronicity with other creative types in the world. And lo! Two plays with music on the horizon!

I can hardly wait.

But - this is all for the nonce - I will leap back into the blogging fray more completely soon - just wanted to let folks know that I am alive, albeit alone (this is the first time since 1996 that theater simple has NOT performed at the Adelaide fringe, and Andrew and I have never been apart so long since 1989). If you see one of us, please give us a pat. Or a glass of wine.

Off to a show!

Park Bench's North American premiere PODCAST is here!

Yes, folks. The first of seven King County based podcasts is now available (just over there to the right, if you're interested). We've been busily rolling into different King County locations over the past five weeks and having the most fabulous conversations with folks, young and old.

(to the right we see Llysa conducting one of many interviews in North Bend, WA with the gorgeous Mount Si in the background. photo by Monique Kleinhans )

WHAT'S THIS ALL ABOUT? (if you don't know already)
As part of the 2007 Site-Specific King County Performance Network (funded by 4 Culture), Park Bench will visit 7 communities in August and September. We start with interviews from a visit to the King County Public Library in North Bend, WA, and in the coming weeks look for podcasts from visits to the cities of Auburn, Bellevue, Kent, Duvall, Redmond, and Seattle’s Columbia City neighborhood.
Powered by Gcast, Park Bench is made possible by the generous support of 4 Culture and the local sponsors who brought us in to each community.
PARK BENCH premiered at the 2007 Adelaide Fringe Festival and Episodes 1 & 2 (with 3 & 4 to come) are taken from those Australian interviews.

for past episodes visit http://www.gcast.com/user/theater_simple/podcast/main

What is Park Bench?
Park Bench is theater simple's mobile interview outpost where we invite people to have a seat and have a chat.
Park Bench is a change of perspective that looks a little like a rolling hill that arrives into an urban environment (a mall, a parking space, or as part of a public event) and asks passersby to consider and share their thoughts while sitting and observing their present situation.
Park Bench hopes to capture, through a series of friendly interviews a small snapshot of a neighborhood, a destination, or a community landmark, perhaps revealing a philosophy about where we are and how we got there. These interviews are recorded and edited into an internet podcast.

Hope you enjoy.

Andrew

Footprints

This is one of my favorite photos from our final days in New Zealand earlier this year. I like seeing something tangible that shows the journey that we've been on together. (even though the water will soon come and wash it away).

This year has been a huge year for us as a company and as individuals. But although there is so much that changes in our lives (and sometimes at an alarming rate) I love knowing that there are some constants as well. One of my most cherished is the work that I get to do with theater simple and Andrew and Llysa (and all you other simpletons out there!...you know who you are!).

For those of you who don't know, this fall brought a big change for me, as I have moved to Montana--back to the area where I grew up. My move however, will not keep me from my Seattle ties and Seattle family...it just means I have to walk a little farther down the beach to catch up!

Here's to change leading us toward new and great things, ...and here's to the rocks in our lives that give us a sturdy place to stand, even as the ground shifts beneath our feet.
Big Love,
Monique

Just for fun... pix from the last month

So, we have this wonderful friend in Orlando named Philip, who works for the Magic Kingdom, and very patiently allows us to monopolize him once in a Blue Moon, and on this particular day off from the Orlando Fringe, we went to the Animal Kingdom with him giving expert advice and timing between attractions... this photo(taken by Mr P. Nolen) seemed very apt for the year of touring in general.

So - which do you like better - the retro dino-car (above), or the Airstream trailer-as-hot dog-stand conversion? (to the right) The things one must decide nowadays...

one last pic - the new house - and ground central for the new-improved
theater simple headquarters and artist outpost...
Y'all come and visit now, y'hear? (But maybe after we excavate from the boxes...)

New place, old friend, new adventure, old stuff

Hiya. Llysa here. Here we are in Stone Mountain, Georgia, just outside the perimeter of Atlanta... we are halfway through the last leg of our 2007 Monster Tour, (over 90 days on the road since January) and boy are we ready to come home!
One of the bonuses, though, was getting to see an prior touring pal of mine. Long ago and far away, I traveled for a year with Up With People, cast C, 1983-84. The tallest guitarist in the organization was in my cast - and is currently living here in the Atlanta area- Blaise Fitzpatrick. Who, much to my chagrin, looks great and pretty much the same as when we travelled in one of several buses through any of -what... 7 countries? He and his wife and daughters live nearby, and Blaise came out to see 52 PICK UP at Art Station.

It is an interesting perspective, to consider that I have been taking acts on the road(as it were) since 1977. As Blaise pointed out, my cast should be having its 25th anniversary, and since I actually toured in high school, with my jazz choir... oof.
Let's just leave it at "There are many miles behind me." And I'll add - I expect there will be many miles before I stop.

What is it that keeps me on the road, yet still anchored to a few certain places? (Seattle, the West Coast of the US, Charleston, Adelaide, Australia) We even own an Airstream, to facilitate that wanderlust, should we be so inclined. Is it the desire to see new places, new faces, meet those strangers who are merely friends yet unmet? Or for that feeling, when one gets home and sees familiar faces, that there is 'no place like home'? Or the inevitable comparison, of one place to another... one community to another? Or is it the friends in many places that happen to be geographically removed, although emotionally close?

And, as a parallel, perhaps that is one of the reasons we've done 52 PICK UP so long... the scenes themselves are familiar, but it's always the transitions that are different, and fascinating, or ironic, or painful, honest and funny. And always surprising. It's the juxtaposition of the familiar with the current moment/situation.

Another not-so-old friend has popped up again, as well. Our second podcast of PARK BENCH in Adelaide has been posted to GCast! Monique rocked it out, as well as editing and uploading a video version onto YouTube! (And don't go too far - a third podcast is coming soon.)
The links are:
podcast: http://www.gcast.com/u/theater_simple/main
(you can subscribe thru iTunes, too)
YouTube video: http://www.youtube.com/profile?user=thsimple

So, home soon........ and still transition. We move at the end of the month from Ballard to Magnolia here in Seattle. We'll be home, but between homes, exchanging one house for another, transitioning how we live, tour, and seeing if I can't shed stuff that isn't serving me, us, the company, etc... (hello, packrat Holland).

Wish me luck, and stop by... we'll be home, soon.

2nd Park Bench Pod Cast!

Check out our 2nd episode of Park Bench!

tarot.... synchronicity??

Llysa here. Went to a dear friends blog, after not having a second to read it... all sorts of info about all sorts of allsorts. but something that caught my eye was her tarot card (birthday coming up) that she had gotten online.

Of course, I must have one too.

You are The Lovers

Motive, power, and action, arising from Inspiration and Impulse.

The Lovers represents intuition and inspiration. Very often a choice needs to be made.

Originally, this card was called just LOVE. And that's actually more apt than "Lovers." Love follows in this sequence of growth and maturity. And, coming after the Emperor, who is about control, it is a radical change in perspective. LOVE is a force that makes you choose and decide for reasons you often can't understand; it makes you surrender control to a higher power. And that is what this card is all about. Finding something or someone who is so much a part of yourself, so perfectly attuned to you and you to them, that you cannot, dare not resist. This card indicates that the you have or will come across a person, career, challenge or thing that you will fall in love with. You will know instinctively that you must have this, even if it means diverging from your chosen path. No matter the difficulties, without it you will never be complete.

What Tarot Card are You?
Take the Test to Find Out.

Seems rather appropriate this week. And I could even argue that most of theater simple's productions have in some driving way ALL to do with love, in some form.

Hmmm. Something to consider tomorrow, and through the next few days ,as we wrangle our way clear to our next season or two... especially that part about surrenduring. That's the thing with creativity - the faith that it will take care of you, if you give into it. (Or with spirituality...) hmmm. Anyone have any thoughts?

Here we go AGAIN! ORLANDO FRINGE 2007

Well, well, well... here it is , monday morning, and I am sitting here with my coffee, in my robe, contemplating with some amazement that this time tomorrow, I will be shuffling around an airport, nay- perhaps even boarding a plane AGAIN! This time, the simpletons are heading East, into the sunrise, to the world within a world that is the Orlando Fringe!! (orlandofringe.org)

We can hardly believe... so many things! Last time we performed in Orlando, we took JUSTICE - a brutal comedy by Kate Schlemmer, a Canadian writer. (Who - coincidentally, I saw in Seattle at the Seattle International Film Fest two years ago)This year, 52 PICK UP, by TJ Dawe and Rita Bozi, Canadian playwrights. TJ will also be in Orlando, and I just had a great chat with a friend of Rita's - small world! (Rita is happily ensconced in Calgary)

Life is definitely full of whirled peas right now for all the simpletons - we are two weeks in Orlando, home for 6 jam-packed days, then off to Atlanta for 6, where we will be performing 52 PICK UP for ART Station in Stone Mountain. (www.artstation.org)

We have joined current, nearly even old-fashioned technology, and now have a mySpace page (thanks, Andrew!) Please ogle it at myspace.com/theatersimple, and hey - BE OUR FRIEND!

There will be dispatches from the road again - we are thinking about lots of things in terms of plays, ideas, collaborators, vision, and we'll probably work 'em out online. Let us know what's up withchoo.

sailing into the sunrise soon -

Llys

home and away

Hey there - it's May 1!!! How did that happen??!

OK - Llysa here - in Phoenix. Lots of transition going on in my family - with my mom, with my theater, with ME in my living circumstances - and here I am - away from theater and home, but with family. Soon to be with more family (in California) but still not home, or theater. Then - off to Orlando - because we are returning to the Orlando Fringe after 10 years with 52 PICK UP! (See new pic! Nancy Santos in Charleston is responsible - she is an amazing photog - has given us some of the best show shots we have.)
Didn't we just return from Australia and New Zealand? Also - to Walla Walla, back to Seattle, to Phoenix, back on Thursday - to the Bay Area - back three days later, then a week later - to Florida. And did I mention we're also working the parallel life? Have I been home 72 hours in a row? (No, actually.)

Here's the glamour tip from the road - take your pillow. And know there are times you get to coast... and other trips that are uphill in every direction.

If you are on the East Coast - we hope we'll see you. (If not - you get a second chance when we are in Atlanta in early June.) Oh yeah - we're going to be performing in Stone Mountain in June. (YAAAAAY!)
Then - King County all the way for the summer.

more later - off to watch a lightning storm. And wonder at my current life. Whew. Is the moon full?

(PS - we're taking a collection of boxes for moving. No joke. If you have some in the Seattle-area to share - let us know. thsimple@gmail.com.)

Adelaide addenda - community

Llysa here. This is a wordy, thoughtful one. fair warning.

Easter. Travelling ADL - SYD - Wellington, NZ. Choccies in bag (Haighs bunny and a Humpty Dumpty egg filled with smaller eggs)
So - we are sipping Cooper's Sparkling (ahhh!) at the Adelaide airport, online FREE, thanks to Internode. How incredibly civilized... and I am thinking about the last conversation we just had - with a customer service rep for Qantas as we were checking in. She had seen a few things at the Fringe, not as much as she wanted, but she had heard about us, and Caravan Chronicles in Glenelg. (She lives there, I guess).

It is thrilling and humbling, actually, to think that people note us, for any reason, yet I suppose we strive in all our paths for such recognition. Yesterday, we went to a SANFL footy match - West Adelaide against Sturt. The Bloods vs the Double Blues. It seems as if Sturt has prevailed the last 13 years or so.... and yesterday it looked like that record was to be upended. 3000+ people were howling, thrashing and yelling encouragement or epithets at various players. (And referees - that seems to be universal). After a lopsided first half, Westies began to win, eking out points after grisly single point, instead of running off with 6's. Final score - 76-67. Double Blues. (That one's for you, Pete.) Actually, the stats for Bloods scoring with high marks was better, but you could see them struggling just to run down the field at the end of the match.
But still game, and still running. Aggressively matching and still leaping to the last horn.

I know the feeling. After this incredible effort to be here in Adelaide, running after venues, audiences and (insert need here), then running after friends to catch up, I feel the exhaustion catch up with me. And the emotional cost - nearly all this time my mom has been in and out of the hospital, plus all the producer-y stuff theater simple IS, but I am still running, toward whatever the future holds. And while, due to fatigue, I may be a little slower, I am aiming better, I think. It will be interesting to see what the rest of the Pacifica tour holds, in terms of discovery. And then we tour the South (Orlando, Florida, and Atlanta, Georgia.)

Right now, I am looking at cruising and thinking. Travels with good friends, to new places. Life is pretty good, and my spirits are rising on Easter.

Tip for a big sip. And a look toward the goals before I start running again.

muchas smoochas - thanks Adelaide. (And my family - both of blood and of love. You know you overlap.)

sorry for the goo - sometimes sweets melt on Easter...

Hey! Opinions are being posted!

Hiya~ Llysa here. Miss Information herself.

I thought you might be interested in seeing what people (in this case, theatre critics) are saying about CARAVAN CHRONICLES in Adelaide. If you've seen the piece, or participated in some way, we'd be interested in hearing from you. (And - I'll also say, if you comment just to swear or be rude in public, I'll edit you in the public forum. I'll still read what you have to say - just no one else will.)

The Adelaide Advertiser - Cousin Samela wrote:
http://www.news.com.au/adelaidenow/story/0,22606,21406229-5012581,00.html

and the Adelaide Theatre Guide - I think it was Uncle Simon:
http://www.theatreguide.com.au/current_site/reviews/reviews_detail.php?ShowID=caravanchron&ShowYear=2007

AND - if you've seen the show, and want to comment on it = you can go to the Bank SA site for talkfringe http://www.talkfringe.com/index.php?view=act&id=294.
(In fact - Simon's review is linked here.)

Just a note: The shows at the Fringe Family day were great! Exhausting, and voice-rasping, but very faboo. "Cousins" were flung into the fray, and were quite fine - heard tell of some awesome stories. I am looking forward to actually doing the 'regular' length show, though. I feel there is so much more dimension with a little more time... Isn't this a cool pic of Sandy and a 'mingo?? Our Man in the Street and the Shop is 'Uncle Andy' Phillips, who also happens to be a gooooood photog. You'll be seeing more of his work anon.

Off and running - trying to make sure people know about the show tomorrow night....

All Simpletons Present and Accounted For…

Weds, March 14, Adelaide, AU

Andrew here.

theater simple is no longer a two continent operation. We are a team once more.
We have all finally made it to Adelaide; Monique, nine days ago; and Llysa and I just yesterday afternoon. From Seattle to Canada, Canada back to Seattle, Seattle to LA, and then LA to Australia, we arrived all punchy and ready to achieve. Which we did. The Day Two Energy Drop has happened, though. No way around it. Two and a half days of nearly continual travel culminating in 28 hours of pure transit takes it’s toll.

About those two and a half days: with Monique magnificently flying solo in Adelaide, Llysa and I finished packing and repacking all of our Oz luggage, only to leave it on the couch, take an overnight bag and our 52 Pick Up show bag and catch the puddle-jumper to Kelowna, in the interior of British Columbia. We knew that this would truly be the beginning of our overall journey as we would have only 4 more hours at home before jumping “the big puddle”. We were picked up at the airport and taken straight to a truly staggering B & B in Vernon, overlooking one of the many lakes, and run by the fabulous Alan and Gary (http://www.theeaglesnestbandb.com). Only one "problem" with the place: it was 30 minutes away from our performance venue with no transportation. So we were forced to spend the evening looking at the staggering view, eating a lovely meal cooked by Gary…..oh, and sitting in their awesome jacuzzi. A lovely calm before…..

The next day....the longest day. Truly surreal to be ready to leave on a big trip to do a big project, and to have to slice a large part of your consciousness free to achieve something else. 52 Pick Up is a show that is in our DNA. Like The Master & Margarita, we have performed it somewhere around 100 times. All of which makes it very easy to underestimate, and at some point during our technical rehearsal, we both just had to lock in and realize that in a few hours we were to be performing before our biggest 52 Pick Up audience ever (the Vernon & District Performing Arts Center, run by Michael Cade, had sold over 400 tickets!) on a huge stage in an auditorium that seats 700. And…….? Great audience, great space, great show, and a very fun discussion with about 60 folks afterwards. And just like that we were back to Alan and Gary’s for a 2.5 hour nap before returning to the airport for the start of the above-mentioned 28 hours of pure transit.

About the only hitch in all of this came right at the start. Daylight savings time had happened overnight (robbing us of a critical hour) and while freakin’ Y2K had been weathered by the airline industry with no problem, this move of the clock was more than the Alaska computer system could handle. So all was being done by hand. Now, this 6am flight was booked because it was the only one available that would allow us to make our connection…..to Australia!!!! After waiting for over an hour in line, we got to the desk to check in at the exact time that our plane was to take off! Not fun. But as there were a dozen of us in the same boat, they held the flight and we made it on.

And more than a full day of mind-numbing air travel later, we are in one of our favorite places on the planet, being looked after by great friends (some of whom we’ve known for a decade!), being blown away by the fruits of Monique’s labor, and ready to dive in.

Ta da!

here we go...

We have news from Monique Down Under that people are already engaging with CARAVAN CHRONICLES and leaving story plates! YAY!
And that a four year old girl made friends with every single flamingo we had on-site, before taking the tire border for a horsie-ride! (4 half tires attached that we are using to divide the space- very decorated-white-trash action. And obviously a great alternate mode of transport of the imagination.)

Andrew and I (Llysa) begin the trip in less than 2 hours! Packing madly - hoping that whatever I foget(and I will forget something) won't be dire...
biggest stumbling points right now: getting some grants' support materials together... MAKES MY BRAIN WANT TO EXPLODE. And I just don't have time for that. And I'll needmy brain to keep up with the audiences. So there.

...tick...tick...tick...

Well, while Andrew and I swivet about trying to cram all we need into many suitcases, (and speculating what losing an hour in the wee hours of Sunday morning will do to our crack-of-dawn flight from Canada back to Seattle to then get to LA), Monique is in Adelaide, whirling like a proverbial dervish getting things looking awesome ready for opening day of the Fringe. (Actually, being in Australia, she is whirling like a Disney cartoon from Tasmania...)

She, with the able help of Graham Norman, and a trailer from Graham's mum has been constructing PARK BENCH, our mobile point-of-view (yes there is a 4ft x 6ft trailer underneath that lush grass) that will be roaming the streets of Adelaide, and gathering interviews with willing passersby. It currently looks like a rolling hill. I kind think it's cool. Isn't that juicy looking astro turf? We'll post the finished product, and certainly one with it in motion/on the scene.
Imagine also a flower box, and a tree of some sort all sitting upon this little 'oasis' , parked across from the big towers in the Central Business District. You can step up from one artificial environment to another, and talk about how you got there, and what you want to do. Maybe a little about what you wanted to be or do as a kid. It'll be interesting, and it will be podcast. More on that later - DEFINITELY check the website.
See you around the world! (Whirled!)
And NOT ONLY does the Fringe start in Adelaide (a mere week after the fringe ended in Wellington, NZ - where we will go in April!) it is also WOMADelaide weekend! Non-stop things to do, see, buy, experience or ... I think I'll take a transPacific flight, myself... and a long nap. I am thinking there will be NO time for naps after we land, sprinting...
Llysa

countdown to Lift Off

...or might that be lift OOF....

Llysa here. Monique is already in Australia, making Andrew and I crazy jealous that we are not.
We (A & I) instead are lingering in Seattle (admittedly enjoying BEAUTIFUL weather today) before we begin our travels on Friday.

Our schedule: drive ourselves to the airport Friday around noon - take small tiny plane to Kelowna, Canada. We have a performance of 52 PICK UP on Saturday at the Vernon & District Performing Arts Centre, so we will fly in Friday, settle, then tech, perform and strike the next day.
THEN - taking into consideration the Daylight Savings Time is starting months early (!), we need to be at the airport at dark-thirty, as our flight is at half-past dawn! (6am!) So - if all goes well - and it HAS to - we'll fly home Sunday, drive ourselves back to the house, do a little laundry, repack a bag or two, maybe NAP (since we won't have had time for a snooze!) before we go BACK to the airport for our flight taking us to Australia via LAX. A theater simple first: three different international flights (not in transit) in a little over 48 hours. I wonder what our security numbers will jump to? [WHY, you may be asking, are we scheduled like this? Michael Cade in BC booked us first, waaay before the Fringe made the leap to annual. So - hither we'll go, before heading off yonder, leapfrogging borders for HONOR. And a good story.]

In Australia, we will be admiring all the handiwork of Monique and her minions, Graham and Andy in anticipation of CARAVAN CHRONICLES - our Trailer Tales show translated to Adelaide. Which I am totally excited about. Whee!
There will be many more comments soon about the Fringe, and our wee public project (not so small, actually - we perform LOTS) so keep checking back, and see who is writing what.
And write back - this is sort of a form of postcard, after all...
The pic, by the way, is Andy and Sandy. (Andy is the one with the Coopers beer in hand)

Inspiration from Bolivia

Andrew here.

Been attending the Under The Radar Festival here in NY for the past couple of days. Sort of a food-for-the-soul way to gear up for the (potentiallly) impersonal madness of the Association of Performing Arts Presenters conference, the largest arts market in the world, where we will have a booth. Under The Radar is held primarily at the Public Theater down in the East Village and is a pretty amazing collection of like-minded artists and producers from around the country and a few from around the world.

Llysa had the foresight to get us signed up for the amazing symposium/day we had on Thursday. Four performances, a symposium, breakfast, lunch and a boozy champagne reception thrown by the British Council...all under one roof.

Truly the thing that is sticking to my brain most is this remarkable (and I am remarking on it) troupe from Bolivia, Theatro de los Andes, and their haunting earthquake docudrama, En Un Sol Amarillo. Using the simplest of theatrical conventions (no wonder we loved them) they created the most memorable imagery I have experienced in the theater in a long time. I'm still putting together in my head how to describe it without doing it an injustice. Here goes.

Lights up on a stage filled with floating furniture and a man in a poncho sitting on a chair. Yes, suspended by thick ropes on pulleys are a table, a window shutter and a picture frame. They sway as the man introduces the play. Suddenly, a rope and pulley that are attached to the chair he sits on is yanked violently and the chair flies out from under him and into the air. The rope is also (miraculously!) attached to his poncho and break-away pants, that also fly into the air, leaving the man shivering in his underwear while the world violently sways around him.

That's the first two minutes!!!! And it just goes on from there. Crazy and so very good.

Suffice it to say, it is a work that has remained in the forefront of my brain for several days now.

Oh. And it's completely in Spanish with subtitles.